Friday 30 January 2015

The Shinjinrui Consumer Culture

Urbanization has brought a new set of environmental problems in Japan. With most youths living in cities, it would be interesting to understand their consumer culture. In Japan, the people under 30 years old are known as Shinjinrui, ‘new breed’ when translated, has been of growing concern lately. Scholars have documented a shift in culture and consumption pattern in Japan’s society as influenced by capitalist development. This post will dissect the changing consumer patterns in Japan and discuss how such deviation would breed a host of environmental problems. In essence, I argue that the fabricated cultural backdrop of Japan and the superficial traits of non-conformist Shinjinrui have developed their excessive consumption practices today.


Background

Shinjinrui are Japanese in their twenties whom have grown up in a wealthy Japan of the 1970s and 1980s, missing the era of post-war sacrifice and reconstruction (Herbig, 1995). The word ShinjinruiI is a double pun; Shinjin-rui (new faces) and Shin-jinrui (new human race). Youths from this generation are also known as the ‘goldfish generation’ as they are sheltered and pampered by their parents (ibid.). Thus, most yearn to indulge in an affluent lifestyle without the need for hard work. A prominent characteristic of the Shinjinrui is the need for self-actualization and instant gratification, with an absorption in fashion and leisure-time pursuits (Hayashi, 1988 and Iwata, 1985).




Socializing for self-identity

Shinjinrui are in a flux of searching their identity before entering the next social phase as a ShakaijinA Shakaijin is when one assumes one’s social responsibilities.  It is translated as “social being” or “public person”, and happens when a girl gets married while a guy gets a job (Herbig, 1995)During this pre-Shakaijin period, the youths create a sub-culture where friends are seen as the priority of their life. Socializing with various non-overlapping group of friends allow them to bring out different facets of their personality, aiding in the establishment of their own unique identity (Herbig, 1995). Since most young Japanese have one or no sibling, having a supportive network can supplement the loss sense of security and companionship (ibid.). Thus, socializing with friends is imperative and it is where most consumption of services occurs (ibid.). The need to portray a certain degree of rebelliousness is reflected in their excessive consumption pattern. Having this freedom to consume means that Shinjinrui are no longer confined to past rules where distribution of goods and services was dependent on an individual’s social rank during the Tsunayoshi’s rule (Totman, 1989). Such ‘samuraization of the commoners’ phenomena started after the Meji Restoration whereby the hierarchical social class order was lifted and commoners has access to elite samurai products (Schnell, 2007). Placing this in today’s context, the Shinjinrui are branding themselves as exclusive entities with access to global products that represent individuality and which celebrate their social freedom. Young unmarried woman does most travelling at this pre-Shakaijin period (Herbig, 1995) and since travelling is carbon-intensive, youths can expect to have a high aggregate carbon footprint.

Instant Gratification violates Inter-generational Principle

The Shinjinrui are impatient, as they want their needs and desires to be satisfied fast, and are not dithered to purchase on credit (Herbig, 1995). When this psychological void is fulfilled through the purchase of commodities, exploitation of resources occurs rampantly. Such therapeutic shopping is unsustainable and is fuelling the aggregate demand for a continuum of unnecessary products. Looking at this from a macroeconomic scale, multiplier effect kicks in and aggregate supply increases exponentially. Considering the basis that all goods comes from the environmental capital, current rate of consumption is utilizing future resources and the endowed inter-generational equity is compromised significantly.

This wasteful spending and lack of appreciation for value could never be truly understood by the Shinjinrui. It is challenging for them to objectify what is necessary for living as they grew in an affluent family that has cultivated their selfish and egocentric self (ibid.). The younger generations lack the material hardship that their forefathers experienced due to inexperience in warfare. The Shinjinrui has thus never tasted real hunger and deprivation and does not worship the idea of mottai-nai, which the older generations do. Mottai-nai is a concept that whining over material hardship when conditions are improving is shameful (ibid.). It is only Japanese over 50 years old whom understand this notion practices frugality. Comparatively, the Shinjinrui are then practicing an imprudent lifestyle that is highly unsustainable.


Individualism and the Disposable Home Culture

Another trait of the Shinjinrui is their high level of individualism. This is influenced by the increased level of exposure to other cultures, in particular West ideas and practices. As evident in the changing social structure within households, the traditional 3 generations per household has conceded to the nuclear family unit, typical of the West (Iwao, 1988). Affluence has also made it possible for youths to challenge traditional behavior by moving out of their family and staying alone as aristocratic singles, known as Dokushin Kizoku (Herbig, 1995). According to the Statistics Bureau of Japan, 56.3% of the population is nuclear-family households, with a steady increase in proportion of one-person household over the years (refer to Figure 1). As of 2010, there are 2.42 members per household. Figuratively, this transcends into a problem in relation to the disposal home culture in the country. Since a detached house in Japan has an average lifespan of 30 years, people view house as a perishable item. In addition, land tenure is never certain as the Japanese Ministry of Construction adopts hard social tool, by expropriating landowners, in attaining land for dam sites (Aldrich, 2008). Such cycle of demolishing and rebuilding houses results in heaps of construction wastes that are impractical to recycle. Considering the rise of smaller families, demand for houses will increase and with the disposable home trend, more wastes will be generated and illegal disposal of waste results. Extrapolating this to the future, stress would be placed on construction material, primarily imported woods, and deprives pollution sinks from restoring its function, as land would be freed for residential estates and dumping ground.




Figure 1: Statistics on average family member per household (Source: Statistics Bureau)


Misappropriate Cultural Upbringing about ‘Nature’

Since the past, there was a misaligned view about ‘nature’ and this legacy was passed down to the Shinjinrui. Japanese tried to control and even dominate nature in various ways, causing over-exploitation of resources since medieval times (Totman, 1989). They have a predisposition of assessing nature based on its aesthetic value and the religious engagement it has. The connection between man, nature and Shinto stems from Buddhist preaching where kami (divinity) takes the form of natural landscape and features and provides human with a feeling of awe and spirituality (Kalland and Asquith, 1997). Natural phenomena are thus an offspring of deities. However, such perception has constructed a view that nature can be healed if the people worship deities in shrines and temples. The adoration for harmonious co-existence with nature is manifested in the idea of furusato (rural hometown) lifestyle (Moon, 1997). Due to urbanization, villagers has lost their distinctiveness and thus evoked a nostalgic sense of homelessness, a postmodern condition (Robertson, 1988). In a bid to revive furusato, the process of furusato-zukuri (native-making) has taken on a new form of village revitalization where ecotourism aims to satisfy the new furusato. However, the Shinjinru will never be able to achieve furusato again as it is no longer possible to return to a native place, resulting in homelessness from within (ibid.). This is because the approach of using ecotourism to recreate furusato only further exploits nature through its commoditization. As objects are redefined in the process, there is distortion to the original meaning of ‘nature’ because human domination is labeled as the right appropriation (Moon, 1997). This is exemplified by numerous projects that select charismatic species for conservation, instead of promoting the delicate ecological web of nature as a whole. Such wrong perception about ‘nature’ when passed down to the Shinjinrui, will only justify the continued commodification of natural resources.

With the commercialization of nature, there is an emphasis of form over content (Kirby, 2011) that has promoted excessive consumption among the Shinjinrui‘Form over content’ is the emphasis of the product rather than the process. As illustrated by recyclable collection process, “more emphasis was placed on having the bags out in time for collection, on positioning the bags correctly at the appointed waste station, and on making sure that the waste station was swept and tidy after collection took place” (Kirby, 2011) rather than inspecting what was inside the bags to ensure proper categorization of waste was made. Such practices were promulgated by the synthetic idea and “sacred nothing principle”. According to the synthetic idea, an ideal abstraction is created artificially, with the faux being favored over the organic. This is represented in bonsai cultivation, which seeks to create a miniaturized version of nature. For the “sacred nothing” principle, it is linked to the concept of Shinto again. In this moral system devoid of absolutes, the image of an Emperor is ambiguous and hence is self-seeking. The process of seeking one’s identity through superficial aspects of the self is the bedrock for excessive consumption. This preoccupation with fantasy and the desire to recreate it in reality has been discussed above and. Constructing self-identity through purchase of commodities presents an implicit representation of an individual’s social status through their consumption pattern. Such constant pursuit for materialism then propels unnecessary consumption that is damaging to the environment.


Education System

Besides the cultural influence, the Shinjinrui are brought up in an educational system with a hidden political agenda that justifies certain kinds of environmental pollution. Educational site visits are used as propaganda to gain public acceptance on dam construction and has proven effective. The Japanese has used computer games, comics and other resource toolkits to highlight the dependence of dams. The Ministry of Education has even approved a manga titled Mizu no boken, to educate kids about the Ryumon Dam (Aldrich, 2008). Despite knowing that dams are damaging to the marine ecosystem of the area, the project still got the backing of the government. This trivializes the environmental damage of dams and creates a veneer for the Shinjinru that the Japanese government is doing the right thing for the people.


In an attempt to knock some consciousness in the minds of the young, filmmakers such as Miyazaki Hayo has created a series of animes such as Spirited Away. In this box movie hit, a connection between shojo (young girl) and the excessive consumption pattern of current day was illustrated to the audience. However, the messages have liminal impact as Shinjinrui are constantly detached from nature since young. This variance in life between Shinjinrui and the traditional kids can be displayed by Totman’s depiction of what an 8-year-old boy should be; gathering grass for animals and collecting horse dung along the road (Totman, 1989). The ease of withdrawing oneself from nature is further promoted in the education syllabus of the young. Since post war period, Japan’s education curriculum has been focused on individualism and internationality, in a bid by Former Prime Minister Nakasone, to redefine the postwar culture (Robertson, 1988). These hidden political agenda can then negate the entropic decay of the environment and depreciates the environmental stock endowed by previous generations.


Job Preference encourage Industry Relocation Overseas

The Shinjinrui are not interested in agricultural nor industrial menial work, forcing the trans-migration of energy intensive industries. A large shrinkage of full time farmers has been observed since the Meiji period due to absence of furusato-zukuri, which taps on the affective emotions of people to entice them back to rural villages (ibid.). In the industry pipeline, young applicants generally are not receptive to factory work. To counter such anti-industrial attitudes, companies are looking to robotize manufacturing procedures or relocate factories overseas, in particular Southeast Asian countries (Herbig, 1995). As the youths push forth for this trend, Japan is seen as a country that exports their wastes, displaying an environmentally irresponsible attitude to other nations.

Foreseeing the future of Japan is nothing more than worrisome as the Shinjinrui are in inept in addressing potential environmental problems. Most young Japanese are only concerned with short-term problems that only affect themselves. They lack the initiative to take up challenges and thus might be consistently reliant on the government for solutions. To quote, the Shinjinrui “have a passing awareness of, but not undue concern over, mankind facing a global crisis. Involvement in environmental issues, popular with youth and young adults in other countries, has not become an issue for the youth” (Herbig, 1995). Ignorance on environmental issues is breeding amongst the Shinjinru till today and it does not seem to be improving.


Conclusion

The Shinjinrui are placing Japan on a trajectory of environmental decline. Drawing parallels to the West, the Shinjinrui is akin to the West X Generation. Studies have reported a transient shift towards Western ideals in Japan, and a burgeoning concern is the replication of such practices. Their domination over nature has been culturally constructed since the past and the affluent family background has exacerbated excessive consumption. As we extrapolate the Shinjinrui attitudes into the future, a bigger environmental burden is expected with a larger spectrum of environmental problems emerging. Since the youths lack initiative in tacking these issues, the government is given this task of seeking solutions for the population. Judging by the various hidden political agendas, it seems like Japan will only con
dorn more environmentally abusive practices legalized by laws. It is thus imperative to treat the root cause, by re-adjusting Shinjinrui consumption pattern and if we succeed, an antidote for the future would have been found. Mankind need not worry over mistreatment of our inherited environment but instead focus on restoration of nature in present day.

References
Aldrich, D. P. (2008). Site fights: divisive facilities and civil society in Japan and the West. Ithaca, Cornell University Press, (p. 100-108).

Buruma, Ian, (1989), Cod's Dust, London: Jonathan Cape.
Anderson, L., & Wadkins, M. (1992). The new breed in Japan: consumer culture. Canadian Journal of Administrative Sciences/Revue Canadienne des Sciences de l'Administration9(2), 146-153.

Braw, E. (2014, May 2). Japan's disposable home culture is an environmental and financial headache. Retrieved from http://www.theguardian.com/sustainable-business/disposable-homes-japan-environment-lifespan-sustainability

Everyday Usability in Japan (Part 3). (2014, March 1). Retrieved from http://randomwire.com/everyday-usability-in-japan-part-3/

Hayashi, C. (1988). The national character in transition. Japan Echo, 15, 7-11.
 and Iwata, Y. (1985). Unemployment rises as more women enter job market . In Japan economic almanac 1985. (p. 41-42).

Herbig, P. A., & Borstorff, P. (1995). Japan's Shinjinrui: the new breed. International Journal of Social Economics22(12), (p.49- 63).

Iwao, S. (1988). The Japanese: Portrait of Change. Japan Echo, 15, (p2-6).

Kalland, A. and P. J. Asquith (1997). Japanese perceptions of nature: ideals and illusions. Japanese Images of Nature. P. J. Asquith and A. Kalland. Richmond, UK, Curzon, 2: (p. 2). 

Kirby, P. W. (2011). Troubled natures: waste, environment, Japan. Honolulu, University of Hawai'i Press.

Moon, O. (1997). Marketing Nature in Rural Japan. Japanese Images of Nature. P. J. Asquith and A. Kalland. Richmond, UK, Curzon, (p. 2282-228).

Robertson, J. (1988). "Furusato Japan: The Culture and Politics of Nostalgia." Politics, Culture, and Society 1(4): (p. 497-512).


Statistical Handbook of Japan 2014. (2014). Retrieved from http://www.stat.go.jp/english/data/handbook/c0117.htm

Totman, C. D. (1989). The green archipelago: forestry in preindustrial Japan. Athens, Ohio University Press, (p. 244-263).

Tuesday 27 January 2015

Dissecting an Environmental Movie: Spirited Away

It is undeniable that modernisation and globalisation has led to a host of environmental problems in Japan. I thought it would be interesting to look at some Japanese movies to analyse how environmental messages were translated to its people. Hence, I have selected a famous movie 'Spirited Away', released in year 2001 and became a box office hit instantly. A year later, the movie won the Academy Award for best animation (BBC, 2014). It is thus relevant for us to analyse the movie and uncover how media can shape people's view of nature. I have attached a Youtube link here so do watch it! :) Just click on the Photo to load the movie.

Link: https://www.youtube.com/watch?v=HY3FAujwmDk


Director Miyazaki Hayo illustrates the environmental consequences of development in a modernizing Japan through his movie, Spirited Away. In the movie, Chihiro was caught in a dystopia world as a result of her parent’s greed in consuming ‘free’ food. This excessive consumption ‘debt’ was later ‘paid’ off by Chihiro through her labor in a bathhouse serving wandering spirits. During her stay, Chihiro encountered a tsunami of events that magnified environmental pollution surreally. This post seeks to evaluate the human-nature relationship portrayed in Spirited Away and uncovers some subtle hints that Miyazaki attempted to highlight about the political ecology in Japan.

Excessive consumption has herald Japanese culture in today’s capitalist economy. Consumptive practices, being a prominent characteristic in most capitalist societies (David, 2001), originated from the West and was introduced into Japan during the industrialization period, driven by globalization forces. Traditional food consumption pattern is witnessing a shift towards the Western style of eating, where dairy and meat consumption is favoured (Agriculture and Agri-Food Canada, 2010). This was presented in the movie where the food ‘buffet’, that Chihiro’s parents ate, mainly consisted of meat. Before they indulged in the meal, Chihiro’s dad proclaimed that the meal could be paid with his credit card. This signifies yet another capitalist perspective of our environment, human domination over nature (An Anarchist, n.d.). In this psychology of domination, nature is “regarded as a mere resource, an object, a raw material to be exploited as ruthlessly as slaves on a latifundium"(Bookchin, 1980). This concept proposed the notion that humans can exploit nature because we can ‘afford’ to own it. Following the polluter-pay principle (United Nations, 1997), the ‘debt’ incurred by Chihiro’s parents were later ‘paid’ by her. This reflects the nature of anthropogenic pollution whereby a lag time (The Environment Dictionary, 1998) exists before true environmental impacts are felt, and our future generations are forced to address these problems.

Understanding how nature has been commoditized and measured by fiscal currencies then propagates another capitalist argument; with money, one can escape from environmental degradation (Wolters, 2013). As seen from the movie, Chihiro managed to detach herself from the land of the spirits after she has regained her identity and was reunited with her comparatively affluent parents (Miyazaki, 2001). The haunted land with widespread pollution, which Chihiro entered, was nothing more than a nightmare. This is identical to Japan’s attitude towards its exportation of waste. It has been reported that Japanese multi-national companies has relocated its environmentally damaging factories overseas, in particular Malaysia (Furuoka and Lo, 2005). Such migration of pollution hides the ‘wastes’ from Japanese citizens and trivializes the environmental impacts. Its people, just like Chihiro’s parents, can then continue their daily life routine, as pollution does not reach them. Hence, Japan being a developed country with the third highest Gross Domestic Income (GDP) (IMF, 2014) globally has adopted a negligent and monetary approach in addressing problems associated to nature.

Miyazaki seeks to remind his audience of the hidden pollution occurring in the country’s backyard by using cartoon characters such as the Stink God. The Stink God was actually a river deity composed of accumulated detritus, sludge wastes and even abandoned bicycles. Its river body was only cleansed after Chihiro pulled out a ‘thorn’ from the spirit’s body. Was Miyazaki then suggesting that modern civilization’s detritus (Napier, 2006) was a thorny issue? Perhaps, but he is positive that the river can be remediated and nature does contain healing purposes. Throughout the movie, nature was seen to be therapeutic with wonderful cures against spells. The Stink God after it was freed from pollution offered Chihiro a pill that can break curses. Also, Haku hailed forces from nature to revitalize Chihiro’s soul during their running spree (refer to Image 1). Thus, nature is seen as pristine and beneficial to man if only it was not polluted by human activities.
Image 1: Haku hailing natural forces as a remedy for Chihiro (adapted from the movie ‘Spirited Away', 2006)

In conclusion, the movie Spirited Away has drawn an ambiguous relationship between mankind and nature. In this age of capitalism, human has commoditized nature and imprudently consumed natural resources. In addition, mankind’s refusal to address waste pollution will only postpone the environmental crisis to our next generation. Hence, the movie is a good reminder for people to be more responsible over our own actions and to treat this delicate environment with utmost respect.   

References
Agriculture and Agri-Food Canada. The Japanese Consumer Behaviour, Attitudes and Perceptions toward Food Products. (2010, April 14). Retrieved October 6, 2014, from http://www.ats-sea.agr.gc.ca/asi/5428-eng.htm#c

From An Anarchist Webpage: “capitalism causes ecological destruction because it is based upon domination (of human over human and so humanity over nature)” and “capitalism is the vehicle through which the psychology of domination finds its most ecologically destructive outlet” from
D.4 What is the relationship between capitalism and the ecological crisis? (n.d.). Retrieved October 6, 2014, from http://www.anarchy.be/faq/secD4.html

BBC News,. 'Spirited Away Maker Studio Ghibli Halts Production'. N.p., 2014. Web. 29 Mar. 2015.
Bookchin, M. (1980). Toward an ecological society. Black Rose Books Ltd, p. 41.

David Larsen, “South Park’s Solar Anus, or, Rabelais Returns: Cultures of Consump- tion and the Contemporary Aesthetic of Obscenity,” Theory, Culture and Society, Vol. 18. No. 4 (2001), p. 67.

From The Environment Dictionary: “The time between the occurrence of a phenomenon and its resulting effect.”, taken from
Kemp, David D. 1998. The environment dictionary. Routledge. London.

From the Movie: Chihiro’s parents drove a shiny Audi as they were travelling to move into their new house. This shows that the family is doing economically well and has the means to upgrade their quality of life.
From the United Nations: “The polluter-pays principle is the principle according to which the polluter should bear the cost of measures to reduce pollution according to the extent of either the damage done to society or the exceeding of an acceptable level (standard) of pollution.”, taken from
Glossary of Environment Statistics, Studies in Methods, Series F, No. 67, United Nations, New York, 1997.

Furuoka, F., & Lo, M. (2005, April 25). Ejcjs - Japanese Multinational Corporations and the Export of Pollution: The Case of Bukit Merah. Retrieved October 7, 2014, from http://www.japanesestudies.org.uk/articles/2005/FuruokaandChiun.html

IMF World Economic Outlook, April 2014 - knoema.com. (2014, April 1). Retrieved October 7, 2014, from http://knoema.com/IMFWEO2014Apr/imf-world-economic-outlook-april-2014

Napier, S. J. (2006). Matter out of place: Carnival, containment, and cultural recovery in Miyazaki's Spirited Away. The Journal of Japanese Studies, 32(2), 302.

Wolters, E. (2013, August 12). 6 Things Every Environmentalist Needs to Know About CapitalismCritical-Theory.com. Retrieved October 7, 2014, from http://www.critical-theory.com/environmentalist-capitalism/