Globalization and
industrialization has reorient Japanese view of nature. With modernization and rapid
population expansion, more natural areas are lost and Japanese are increasingly
appreciating nature through art (Taylor, 1990). Images of places that are close
to their ‘ideal’ form were considered aesthetically appealing. Hence, photographers
frame their images to exclude disturbing elements (such as highways, power
lines, garbage, etc) to accentuate the true beauty of nature (Asquith and Kalland, 1997). Such refusal to accept progress or external forces
(industrialization and globalization) has reflected a certain level of nativism
within the people.
Photo of a Japanese village with the exclusion of highways, which are perceived to be offensive elements (Source: Wikimedia).
Since most Japanese
are distanced from the untouched nature, urbanites long to return to rural
villages. According to social scientists, Japanese feel they ‘can’t go home
again’ as most live in cities today. This phenomenon of homelessness is a
postmodern condition (Robertson, 1988). Such feeling of nostalgia for
traditional nature is then known as furusato. Furu refers to naturalness, and sato represents places inhabited by
humans; the combined furusato thus
imbues traditionalness and cultural authenticity (ibid.). To note, “furusato is
not limited to an actual rural place, nor does it presuppose an agricultural
lifestyle. It is, rather, everything, that suburbs and metropoles are not:
compassion, camaraderie, tradition and even motherly love” (Robertson, 1988;
pp. 503). The ubiquity of furusato
has allowed the media and political leaders to manipulate its use for various
purposes.
Furusato is used to create a national identity amongst Japanese. The government
uses furusato-zukuri projects to
promote we-feelings at the local and national level. Furusato-zukuri symbolizes the reclamation of the landscape of
nostalgia by recreating village-like ambience in cities, and the revitalization
of village activities through ecotourism. This promotion of native-place making
allows the central government an efficacious way of addressing environmental
problems resulted from urbanization. By exhorting residents to transform cities
into a place that its people can call furusato
(or village-like), administrators avoid blaming specific persons and groups
for the city’s problem (Maruyama, 1969).
Revitalization of
furusato is best achieved by
reinventing traditional village activities for domestic tourists, most notably
the urbanites. Shrine-like festivals, folksinging sessions, storytelling and
nature hike are some highlights in the village. This kind of new ecotourism
provides Japanese a new way of appreciating nature (Moon, 1997). Since nature
tourism is artificially constructed for commercial value, real villagers are
bequeathed as the curators of the land of nostalgia. However, usually “nature
is appropriated and transformed into commodities for sale to tourists”(Asquith
and Kalland, 1997) and a misinterpretation of true nature results. In my later
post, I will elaborate more about the impacts of nature ecotourism in Japan.
The media
exploits the ubiquity of furusato by
endowing rural topography with sentimental appeal. Furusato is used to stir the emotions of people to make products
more appealing. Using advertisements and nature-related products, we can see
Japanese love for nature. For instance, many flavoured drinks and food are
invented with a touch of nature. An example is this sakura flavored kitkat.
Sakura-flavored KitKat (Souce: Flickr)
In conclusion,
Japanese desire to be close with nature and they achieve this by asserting
dominance over nature. It is evident that Japanese recognize nature as part of
their national identity and they are making sure traditional nature doesn’t
fade out with modernization.
References
Asquith, Pamela J, and Arne Kalland.
Japanese Images Of Nature. Richmond, Surrey: Curzon Press, 1997. Print.
Colligan-Taylor, Karen. The
Emergence Of Environmental Literature In Japan. New York: Garland, 1990.
Print.
Maruyama, Masao, and Ivan Morris. Thought
And Behaviour In Modern Japanese Politics. Tokyo: Oxford University Press,
1969. Print.
Moon, O. Marketing nature in rural Japan. Japanese Images of
Nature: Cultural Perspectives, 221-235. 1997. Print.
Robertson, Jennifer. 'Furusato
Japan: The Culture And Politics Of Nostalgia'. International Journal of
Politics, Culture and Society 1.4 (1988): 494-518. Web.
No comments:
Post a Comment